![]() She takes him home to tend his wounds, they each live in their heads some more, then he starts having sex with her while she still asleep. Nor do I want to be told (repeatedly) that the heroine in a book was literally created for a man, as if she has no worth or place outside of him or, you know, on her own. ![]() ![]() This is an insult to woman! I do not exist solely for the benefit of my husband. ![]() No need to, you know, exchange even ten words because the Universe made her just for him. (Of course he did, sexual victimisation is the cheapest way to imperil a heroine, so why not? Doesn't matter that it's totally random and not relevant to anything else in the book.) The H and h lay eyes on one another and BAM lust/love. Rayne drops out of the sky and saves Kyndel from an attempted rape. There has thus far been no character development or world-building. Plus, those bulky drops often show up in the middle of what little outside-someone's-head action there is, shattering any tension that might have a chance to build. Of that tell, I'm estimating at least 80% is either internal monologues or narrative info drops. I often don't rate books I don't finish, but since I'm quitting this because I'm so not enjoying it, I'm rating it too.įirst off, it's almost entirely tell, with almost no show. But this one.man, this one is a total bust for me. ![]() I'm not one that easily gives up on a book. ![]()
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